绘画艺术学院年展奖

首届绘画艺术学院年展评审委员会从参展作者里评选出10名获奖作者，奖金由广州市大艺文化艺术基金会独家赞助。

金奖1名，人民币30000元；银奖1名，人民币20000元；铜奖8名，人民币10000元。

奖金额为税后额，不包含任何限制性附加条件，金奖和银奖的作者还可以获得盒子美术馆个人驻留及驻留展权利一次，保留2年。

年展评审委员会

首届绘画艺术学院年展评审委员会评委：陈海涛，崔灿灿，胡斌，何桂彦，施勇，邵舒，徐文，俞可。

陈海涛，1996年毕业于鲁迅美术学院。自2005年起，创办站台中国当代艺术机构，在近20年中深耕中国本土艺术，已策划并发起数百场展览。伴随着中国当代艺术的历程，推出了诸多具备代表性与国际影响力的艺术家，不断发掘并梳理新的价值与方向。

Chen Haitao graduated from Lu Xun Academy of Fine Arts in 1996.Since 2005,we have established the Platform China Contemporary Art Organization and have been deeply cultivating local Chinese art for nearly 20 years.We have planned and launched hundreds of exhibitions.Along with the process of contemporary Chinese art,many representative and internationally influential artists have been introduced,constantly exploring and sorting out new values and directions.

崔灿灿，策展人、写作者。从2012年开始策划160多场展览和活动，代表的群展包括夜走黑桥、乡村洗剪吹、不在图像中行动、六环比五环多一环、十夜、万丈高楼平地起、2015-2019过年特别项目系列、策展课、九层塔、新一代的工作方法、小城之春、断裂的一代、游牧在南方等。

Cui Cancan,curator and writer.Starting from 2012,more than 160 exhibitions and events have been planned,representing group exhibitions such as walking on the Black Bridge at night,washing,cutting and blowing in the countryside,not acting in images,having one more ring than the Fifth Ring Road in the Sixth Ring Road,ten nights,towering buildings and starting from the ground,the 2015-2019 Chinese New Year special project series,curation classes,nine story towers,new generation work methods,the spring of the small town,the broken generation,and nomads in the south.

胡斌，出生于湖南长沙。本科、硕士毕业于广州美术学院美术史系，博士毕业于中国艺术研究院。曾在广东美术馆编辑部、广州三年展办公室、广州美术学院美术馆工作，并任学院美术馆常务副馆长，现为广州美术学院艺术与人文学院院长、教授。专注的研究方向有中国革命美术史、中国现当代艺术展览史，长期从事现当代艺术的批评与策展。展览曾获得文化和旅游部全国美术馆馆藏精品展出季优秀项目、全国美术馆优秀展览项目。著有《视觉的改造：20世纪中国美术的切面解读》《何以代表“中国”：中国在世博会上的展示与国家形象的呈现》等。

Hu Bin,born in Changsha,Hunan.I graduated with a bachelor's and master's degree from the Department of Art History at Guangzhou Academy of Fine Arts,and a doctoral degree from the China Academy of Art.I have worked in the editorial department of Guangdong Art Museum,Guangzhou Triennial Exhibition Office,and Guangzhou Academy of Fine Arts Art Museum,and served as the executive vice director of the academy's art museum.Currently,I am the dean and professor of the School of Art and Humanities at Guangzhou Academy of Fine Arts.My research focuses on the history of Chinese revolutionary art and the exhibition history of Chinese modern and contemporary art,and I have been engaged in criticism and curation of modern and contemporary art for a long time.The exhibition has won the Excellent Project of the National Art Museum Collection Exhibition Season and the Excellent Exhibition Project of the National Art Museum by the Ministry of Culture and Tourism.He has authored works such as"Visual Transformation:A Perspective Interpretation of 20th Century Chinese Art"and"How to Represent"China":China's Exhibition at the World Expo and the Presentation of National Image".

何桂彦，四川美院艺术人文学院教授、博士研究生导师、四川美院美术馆馆长，四川美院当代艺术研究所所长。中国批评家年会学术委员、中国策展委员会委员、中国雕塑学会理事、中国油画学会理事；重庆市策展与艺术理论委员会主任、重庆雕塑学会副会长、重庆文艺评论家协会副会长。四川美院美术学国家一流学科学术带头人，艺术学理论学科带头人。研究领域有欧美现当代艺术、艺术批评与展览策划、中国当代艺术思潮等。个人国家级项目3项，重庆市级科研项目2项。曾在国内学术期刊《文艺研究》、《美术研究》、《艺术当代》等发表批评文章70余篇，共50万字。2004年以来，曾策划数十个当代艺术展，如：“1976-2006乡土现代性到都市乌托邦：四川画派学术回顾展”、“清晰的地平线——1978年以来的中国当代雕塑展”、“社会风景”——当代艺术邀请展、“当代雕塑的方位”——2013年大同国际雕塑双年展（主题展策展人）、“日常之名”——中国当代艺术中的日常话语与观念生成、“神话、叙事、想象——当代艺术邀请展”、“形式乌托邦”——中国当代艺术中的形式表达与文化观念、“人民·历史”——20世纪中国美术研究展（联合策展）、“社会剧场”——第四届重庆青年美术双年展、“共同的神话”——第二届安仁双年展（联合策划）、“与时代同行——四川美院建校80周年展”（联合策划）、成都双年展（联合策划）、“星汉灿烂——现代美术在重庆（1937-1949）”等。

He Guiyan is a professor and doctoral supervisor at the School of Arts and Humanities of Sichuan Academy of Fine Arts,director of the Sichuan Academy of Fine Arts Art Museum,and director of the Contemporary Art Research Institute of Sichuan Academy of Fine Arts.Academic member of the Chinese Critics Annual Conference,member of the Chinese Curatorial Committee,director of the Chinese Sculpture Society,and director of the Chinese Oil Painting Society;Director of Chongqing Curatorial and Art Theory Committee,Vice President of Chongqing Sculpture Society,and Vice President of Chongqing Literary Critics Association.The academic leader of the national first-class discipline of Fine Arts at Sichuan Academy of Fine Arts,and the leader of the discipline of Art Theory.

Research areas include European and American contemporary art,art criticism and exhibition planning,and contemporary Chinese art trends.3 individual national level projects and 2 Chongqing municipal level scientific research projects.I have published more than 70 critical articles,totaling 500000 words,in domestic academic journals such as Literature and Art Research,Art Research,and Contemporary Art.Since 2004,he has planned dozens of contemporary art exhibitions,such as"1976-2006 Rural Modernity to Urban Utopia:Sichuan School of Painting Academic Review Exhibition","Clear Horizon-Contemporary Chinese Sculpture Exhibition Since 1978","Social Landscape"-Contemporary Art Invitation Exhibition,"The Direction of Contemporary Sculpture"-2013 Datong International Sculpture Biennial Exhibition(Theme Exhibition Curator)"The Name of Everyday"-The Generation of Daily Words and Concepts in Contemporary Chinese Art,"Myth,Narration,Imagination-Contemporary Art Invitation Exhibition","Form Utopia"-The Form Expression and Cultural Concepts in Contemporary Chinese Art,"People·History"-20th Century China Art Research Exhibition(Co curated),"Social Theater"-The Fourth Chongqing Youth Art Biennale"Common Myth"-Second Anren Biennale(co planned),"Walking with the Times-80th Anniversary Exhibition of Sichuan Academy of Fine Arts"(co planned),Chengdu Biennale(co planned),"Splendid Star Han-Modern Art in Chongqing(1937-1949)",etc.

施勇，1963年出生于上海。1984年毕业于上海轻工业高等专科学校美术系。现在工作和生活在上海。施勇作为中国较早从事装置与影像媒介的代表人物之一。自1993年起，他的作品就在国内外被广泛展出。早期创作致力于揭示现实内部的意识形态；九十年代开始关注改革开放神话下的当代上海的转型概念，继而引向更宏观的全球化，消费文化等层面。2006年，从作品“2007没有卡塞尔文献展”始，施勇将质疑的目光落实于艺术界本身，思考如何通过“搁置”创作来予以抵抗。2015年个展“让所有的可能都在内部以美好的形式解决”，既是之前创作的延续，又传达了其未来意图在表面“抽象”之下展开对于“控制”的反思与实践。

Shi Yong(born 1963)is a representative figure of contemporary Chinese artists who first started working with installation and video media.Since 1993,his works have been widely exhibited both in China and abroad.His artworks cover a wide range of mediums including performance,video,and installation.Shi Yong’s earliest artistic practices focused on revealing the subtlety of our reality and the inherent tension of the"system".At the end of the 1990s,Shi began focusing on the idea of Shanghai’s transformations under the Chinese economic reform,which contributed to a discussion of globalization and consumerism.Since 2006,with the piece"Sorry,There will be no Documenta in 2007",he turned his attention to the art world that he's been involved in,pondering how to provide a more rational perspective through his creative works.Shi Yong’s 2015 solo exhibition"Let All Potential Be Internally Resolved Using Beautiful Form"continues his art practice,disclosing his intention to expand the reflection and practice of“control”under the seemingly“abstract”future.

邵舒，“和”美术馆执行院长，2011-2016年，工作于上海龙美术馆浦东馆、西岸馆、重庆馆。主要负责展览策划与执行，日常运营事务管理及新馆建设筹备。2016年，加入广东和美术馆，任执行馆长。在筹备与建设期间，协同安藤忠雄事务所，主持工程建设项目，进行预算管理、结构及专业功能优化等工作。自2020年和美术馆正式向公众开放起，主要从事组织机构运营策略，收藏项目研究及展览策划工作。主要参与及策划的项目有：《世间风物——和美术馆开馆大展》2020；《超越：安藤忠雄艺术人生》2021；《贝纳维内：单义游戏》2021；《换了人间：从苦瓜诗意到山河新貌——和美术馆藏中国近现代作品展》2021；《On/OFF：回到未来》2022；《尽精微致广大——徐悲鸿临摹伦勃朗〈妇人倚窗像〉修复研究展》2022；《倪有鱼：穹顶与刻度》；《肖像：张恩利个展》2023；《罗尼霍恩：亦梦非梦》2023，《南方故事》2023。

From 2011 to 2016,Shaw worked for Long Museum in Shanghai,engaged in the operation and management,as well as the curation and implementation of art exhibitions.

In 2016,he joined He Art Museum as executive director,supervising the management and inauguration of the museum,working with architect Tadao Ando to oversee the architectural project,from budgeting control,and construction engineering,to space optimization.

Since He Art Museum opened in 2020,Shaw has continued to develop the strategic vision for the institution,research and collection,and curatorial programs.

He curated or co-curated over twenty exhibitions at the museum including:From the Mundane World(2020),Beyond:Tadao Ando and Art(2021),Bernar Venet:Another Language for Painting(2021),Transformation:From Poetic to Realistic(2021),ON|OFF:Carousel of Progress(2022),Woman by the Window of Xu Beihong:A Conservation Exhibition(2022),Ni Youyu:Dome and Scale(2022),Off the Beaten Track:A Modern Chinese Collection Exhibition,Zhang Enli:Portrait(2023),Roni Horn:A dream dreamt in a dreaming world is not really a dream...but a dream not dreamt is(2023),Atmospheric Column by Olafur Eliasson,A 3rd Anniversary Special Project(2023),Tales of the South(2023)etc.

徐文，画廊主理人。1985年出生于天津，多年来，他一直在研究全球当代艺术市场，在许多大型机构担任讲师，并在国际许多重要的艺术博览会、双年展和著名艺术家博览会崭露头角。

Xu Wen Kenna,director of KennaXu Gallery.Born in Tianjin in 1985,he has been studying the global contemporary art market for many years,serving as a lecturer in many large institutions and prominently featured in many important international art studios,biennales and famous artists.

俞可，现为四川美术学院教授，中国美术家协会策展委员会委员。

Yu Ke is currently a professor at Sichuan Academy of Fine Arts and a member of the Curatorial Committee of the Chinese Artists Association.

绘画艺术学院年展将通过开放性、多维度、国际化的展览模式，将广州美术学院绘画艺术学院培养的青年艺术家整体推向社会，实现艺术知识生产与经济社会发展的互联互通，促进学院“产学研用”的融合创新，推动大湾区艺术生态持续健康的高质量发展。

金奖三万！首届广州美术学院绘画艺术学院年展公告

https://mp.weixin.qq.com/s/kfn9eeRZ_UFZvpIIHaacoQ